Bunkhouse

Steinbeck, Of Mice And Men George and Lennie enter the bunkhouseThe bunk house was a long, rectangular building. Inside, the walls were whitewashed and the floor unpainted. In three walls there were small, square windows, and in the fourth, a solid door with a wooden latch. Against the walls were eight bunks, five of them… Continue reading Bunkhouse

Aristotle: History and Poetry

It is, moreover, evident from what has been said, that it is not thefunction of the poet to relate what has happened, but what may happen-what is possible according to the law of probability or necessity. Thepoet and the historian differ not by writing in verse or in prose. Thework of Herodotus might be put… Continue reading Aristotle: History and Poetry

Steinbeck: Fire and Brimstone inVermont

From Travels With Charley "It is our practice now, at least in the large cities, to find from our psychiatric priesthood that our sins aren’t really sins at all but accidents that are set in motion by forces beyond our control. There was no such nonsense in this church. The minister, a man of iron… Continue reading Steinbeck: Fire and Brimstone inVermont

Steinbeck: Waiting and Reflecting

One of the great benefits of waiting for the impressions to sort themselves out.  From Steinbeck, Travels With Charley Go to the Ufizzi in Florence, the Louvre in Paris, and you are so crushed with the numbers, once the might of greatness, that you go away distressed, with a feeling like constipation. And then when… Continue reading Steinbeck: Waiting and Reflecting

When To Push The Shutter

Henri Cartier-Bresson was asked, "Have you ever really been able to define for yourself when it is that you press the shutter?" And he answered It’s a question of concentration. Concentrate, think, watch, look and, ah, like this, you are ready. But you never know the culminative point of something. So you’re shooting. You say,… Continue reading When To Push The Shutter